Perspective

About 200 km northwest of Las Vegas lies the Death Valley, the hottest place on earth. About 75 km northeast of the city lies the Valley of Fire, a vast expanse of bright red Aztec sandstones from the Jurassic period. And at about 375 km further ahead in that direction begins the Grand Staircase, a sequence of sedimentary rocks stretching south, starting from Bryce Canyon at the top, Zion Canyon in between, and Grand Canyon at the bottom. To travel through these lands is to witness a snapshot of nature’s long dance that continuously shapes and reshapes the flying rock we call home. In these lands, swathes of earth get bent, lifted, tilted, carved, and eroded over millions of years to form mountains, cliffs, basins, canyons, valleys, ridges, plateaus, mesas, deserts, badlands, and every other phrase in geology that humans have coined in their attempts to comprehend the mystery and grand spectacle of physical existence. Wind operates as the conductor of this grand orchestra, moving earth and sand into shapes and patterns that inspire awe, and compacting them into rocks that stay to tell the story. Water flows and meanders through rivers that drain out plateaus; streams that cut through mountains like sandpaper; waterfalls that churn silt, sand, and cobbles sending them downstream; abrasive narrows that carve rocks into canyons; lakes that feed life as we know it; and snow that wedges apart rocks as it forms in its crevices, and caps everything at the top to complete nature’s perfection. Fire appears, once in a while, spewing out the innards of the planet, bedazzling the landscape with new colors, shapes, and patterns that will keep redefining these lands that represent ‘forever’ more meaningfully than anything humans ever accomplished. And all these elements – earth, wind, water, fire – at the inconsequential moment of human observation, come together to reveal more than 200 million years of the planet’s history meticulously stored layer by layer in the rocks – a timespan that dwarfs the existence of humans by a distance and some more. This region in the southwestern United States is one of the finest productions of nature’s drama. Its extremes of climate and geography make it the ultimate showcase of our insignificance in space and time, and our absurd attempts at ‘reality distortion’. Being here proffers something priceless to us: perspective (a word that, ironically, betrays our sense of self-importance).

Death Valley, straddling the California-Nevada border, is the largest US National Park outside Alaska and is a land of striking contrast and extremes. Despite its forbidding and gloomy name, there are parts of the valley with lush green oases teeming with mammals and birds and reptiles, fields of wildflowers, peaks frosted with snow, occasional rainstorms, and a tremendous diversity of life. There are mountains as high as 3300 meters, deep and winding canyons, and rolling sand dunes. And there are barren salt flats, devoid of soil and vegetation, and covered largely with table salt (along with calcite, gypsum, and borax). A drive from the aptly named Furnace Creek Visitor Center to the Badwater Basin (and nearby Devils Golf Course, and Salt Creek) transports one to the second-lowest point in the western hemisphere at 86 m below sea level. Air trapped in this basin surrounded by the mountains recirculates the heat without being able to escape and sucking out most humidity. A colloquial story of the basin’s naming is about a surveyor’s mule refusing to drink the ‘bad water’ – high in salinity – from the spring-fed pool near the present-day boardwalk. The basin must have had ancient names, presumably vanished amidst the prejudice of recorded history and its narrators.

(Image courtesy: NPS)

At a slightly higher altitude in the Death Valley, short walks from the Zabriskie Point towards the Golden Canyon seem easy at first, but quickly remind one about the fragility of human bodies to withstand the forces of nature. Unforgiving terrain in this part of the valley, mostly made of yellow and brown stripped hills shaped by water, offers no shade and makes walking difficult. Humans have, nonetheless, lived here for thousands of years and sophisticated native American cultures have hunted and gathered in these lands. The first European descendants arriving in this area were lost travelers originally headed towards the California Gold Rush, who might also have lent the valley its present name – rather harsh for a land that accommodates such diversity of life. Motorable roads within the valley form a surprisingly dense network to access its different parts, and a pleasant drive to the Dantes View is a great way to soak-in the panorama of the swirling white salt flats and surrounding mountains from 1700 meters above the ground. Arguably, the most scenic drive in the valley is the Artist’s Drive where the generosity of creation is resplendent in the colorful rocks. Presence of different compounds (iron oxides and chlorite from volcanic deposits) adorns the hills with diverse hues – shades of red, orange, yellow, blue, pink, green, and grey – perhaps prompting the name of the road. For visitors with more time at hand, there are several locations to explore where Star Wars was filmed, and the mysterious Racetrack playa (a dry lakebed) to see, which is known for its strange moving rocks that seem to have been dragged across the ground.

Death Valley is a masterclass in adaptation: of bushes and mesquite plants that survive with long roots, beautiful Joshua trees that grow in the desert, bighorn sheep that can eat almost any plant, toughened snails and pickleweed plants that survive even the hostile salt flats, and generations of humans who thrived through vertical migration patterns moving from valley bottoms in winter to higher altitudes in summers. There is a stark and lonely vastness in this valley – a place that juxtaposes scenic views, multiple climates, insignificance of life, and yet, life’s sheer tenacity.

(Image courtesy: Lana Law)

A worthy detour while driving northeast from Las Vegas towards Zion is the Valley of Fire – a place where time appears to stand still, with the past and present fused under the beating heart of the sun. Located in the Mojave Desert, its name derives from 150 million years old brilliant rock formations that illuminate the sky with a fiery red color. These Aztec sandstones with their rough floors and jagged walls are what’s left after the compaction and extensive erosion of sand dunes – a constant process of natural transformation over an incomprehensible timescale. The Valley of Fire Road traversing through the park – yet another example of America’s focus on automobiles to reach the inaccessible – takes one through some of the most famous rock formations such as the elephant rock, arch rock, and the fire wave. Humans inhabited this region too, and there is rock art (petroglyphs) by the ancient peoples that can be seen at the Atlatl Rock. Witnessing this juxtaposition of humankind’s eternal quest to mark ‘we were here’, and the nature’s slow but assured dominance over it, is humbling.

Driving northeast for another 2.5 hours from the Valley of Fire gets one to Zion, the middle layer of the Grand Staircase and arguably, its finest composition for human exploration. Zion is charming, spectacular, imposing, and domineering, all at once. It offers something for everyone – leisurely strolls, moderate to strenuous climbs, cliffs and rivers and waterfalls, vivid imagery, plants and wildlife, and fascinating stories of the land and its people. The story of Zion’s topography, and of most of the Grand Staircase, is extraordinary. A long time ago, when dinosaurs were evolving, Zion was a flat basin near sea level. Over time, streams in surrounding mountains deposited so much sand, gravel, and mud eroded from those mountains, that the entire basin sunk. More layers of sediments continued to be deposited and solidified into rocks. At some point, the earth very slowly pushed the entire surface up, hoisting huge blocks of the crust creating the Colorado Plateau and mountains as high as 3000 meters, and giving speed to rivers that flowed rapidly down a steep gradient, cutting through rock layers, and forming deep and narrow canyons. The layers of rock across the Grand Staircase today are a magnificent tableau documenting the fascinating story of these geological processes that are still underway amidst the stunning but transient landscape of the region. Grasping the passage of geological time with the perception of a human mind is futile, and reinforces, yet again, how miniscule our lives are amidst the extravaganza of the universe.

(Image courtesy: Grotto by Tom Morris)

The term Zion was used by Mormons who settled in this region only during the mid-nineteenth century, even though the land has been inhabited since more than 8000 years. The last of native tribes, the Paiute Indians, receive a share of recognition today through odd jobs in managing the national park, even though most of their culture appears to be largely lost. This recent history of substitution of cultures, mostly described as ‘exploration by European American fur trappers’, ‘pioneers settling into the area’, and ‘increased economic activity’ is perhaps the familiar archetype of the complex human conflicts and power struggles that have existed around the world for centuries and narrated by those who survived to tell the story, and yet inconsequential and frivolous when viewed from the prism of nature’s endurance.

A lot of breathtaking scenery of the Zion National Park today is accessible through motorable roads that lead to several trailheads for hikes and climbs and canyoneering, campgrounds that allow spending time in the wilderness, accommodation both inside the park and the town of Springdale just outside, and facilities for river trips and use of stock animals for exploring trails. One of the oldest sections of these roads – the Zion Mount Carmel Highway connecting Springdale with the east side of the park – consists of a 1.8 km tunnel with six large windows cut through massive sandstone cliffs to provide light and ventilation through the canyon wall. Constructed more than ninety years ago, a drive through this engineering marvel is a showcase of human ambition that blasted through rocks and made way, however temporarily, in the grand scheme of things. A few kms north of the tunnel lies one of Zion’s star attractions – “Angels Landing” – a 9-km roundtrip hike that gets one to the top where, as put by a Methodist Minister a century ago, only an angel could land. The last 1 km of the hike requires a permit, though the non-permit parts allow equally majestic views. Shorter jaunts from the Zion Canyon Scenic Drive, such as to the Weeping Rock, or the riverside walk, divulge more of nature’s artistry and interplay of imposing cliffs and glistening rivers. Zion, the middle child in the Grand Staircase, and closer to the earth’s surface than other two, is a happy place; somewhere where the fickle human heart doesn’t feel lost and forlorn amidst the vastness of nature, but is more at ease in the latter’s abundance.

(Image courtesy: NPS)

At the top of the Grand Staircase lies the Bryce Canyon National Park, famous for its surreal hoodoos, the red spindly rock formations collectively creating the park’s ‘Amphitheater’. The story behind the creation of hoodoos as narrated by the native Indians is more refreshing than the tedious geological explanation. Once upon a time, before the Paiute people, lived the to-when-an-ung-wa, the Legend People, who took too much from the land and used to drink all the streams and rivers in spring. They were punished by the coyote God of the Paiute, the Sinawava, and turned into stones. When the sun shines on these red, snow-capped formations casting long shadows, the Legend People appear to look back at us, creatures of dust ourselves, with a calm serenity, telling us a story. At the bottom of the Staircase, is the Grand Canyon, the more acclaimed of the three layers. Standing at the rim during the day, the canyon below is a vast tapestry of colors, patterns, rocks, and water smelting into each other on earth, stretching infinitely in time. At night, the spectacle is reversed, twinkling as stars overhead, a vast tapestry of colors, patterns, rocks, and unknown elements smelting into each other in the sky, stretching infinitely in time.

There is no perspective, other than the cold hard truth of the eternal existence of space and time, and of life that flickers in it like fireflies.

Vegas

The protagonist

Uttering the words Las Vegas in any conversation usually evokes a smile. A smile not of the innocuous variety, the type that could be passed along with pleasantries and in situations of ease; but a gravid smile, one that withholds a reflex, an opinion, a judgment, or perhaps a memory that instantly flashed in the mind of the one who decided to bestow that smile to the utterer. On the face of it, Las Vegas is merely a city, slightly more than a century old, but it has a reputation preceding it. Once upon a time in the middle of a desert, humans dared to replace the oppressive heat and glittering sand with neon lights, excitement, and entertainment. The result was an opulent skyline dotted with some of the most grandiose experiments of a civilization, creating lavish structures that emerged from the surrounding desert like a mirage.

Everything in Las Vegas is by design, meticulously crafted to pump a potent mixture of light and sound, frolic and feast, celebration and sensation, channeled through swishing alcohol and fluttering dollar bills. The energy here is palpable, and with some extravagance, it is possible to witness and indulge in the finest accomplishments of the modern civilization – art, cuisine, fashion, wellness, spectacles, and nightlife. The Las Vegas Strip – a 7 km long arterial road through the city – is organized as a series of mega resorts, each as grand as a mini-city with its distinct architecture and theme, casinos, restaurants, hotels, and entertainment venues. The old ones such as Flamingo, Caesars Palace, or Mirage, or the more recent ones such as Bellagio, Venetian, Palazzo, Wynn, or Encore – each resort offers an endless array of unique experiences and adventures in the comfort of precisely conditioned buildings that never sleep. These luxurious buildings are the beating hearts of the multi-billion-dollar economy that helped catapult Las Vegas as the entertainment capital of the world.

The gravid smile that appears at the mention of Las Vegas usually originates from its erstwhile hedonistic reputation – “What happens here, stays here,” was a famous credo for marketing the city until four years ago. The new slogan is a subtle variation – “What happens here, only happens here,” and perhaps a more befitting ode to its glut of entertainment options that are increasingly family friendly. The city was dreamed as a bold destination, with its own Rialto Bridge, and Eiffel Tower, and Colosseum, and Statue of Liberty, and Egyptian Sphinx – different resorts attempt to replicate Venice, New York, Rome, Paris, Cairo, Marrakesh, et al within their compounds, offering an unmatched spectacle.

While gambling in the city’s endless casinos is its most common stereotype, the allure of Vegas as a panoply of human expression and arts is less recognized. Music forms the city’s soul, both with big name shows (Las Vegas is host to some of the biggest music festivals) as well as intimate performances. And it can also be found in astonishing settings, such as the Bellagio fountain featuring more than a thousand water fountains choreographed to music. A highly recommended experience is to visit one of the performances of Cirque du Soleil, the Canadian contemporary circus that hosts multiple permanent shows in the city: productions that defy what human bodies are capable of.

Las Vegas is a place with something for everyone. It's easy to take the route of casuistry in drafting one’s narrative, and fixate on the city’s history of crime, adult industry, and other vices. However, it might be more prudent to assess Vegas as a city of contrasts, where luxury and excess meet history and culture, where glamour and glitz often collide with continence and fortitude, and where foundational questions of philosophy about rights, wrongs, and justice appear both substantial and frivolous at once. When the bleak judgments are stripped off, what remains is a city of possibilities even for the most cautious of visitors, and a delightful escape from the mundanity of everyday life.

(Image courtesy: www.visitlasvegas.com)

The antagonist

The first thing one might notice after landing at LAS is the odious smell of fries. It is yet another unremarkable American airport, replete with fried potatoes, fried chicken, fried bacon, fried patties, sugary drinks, and coffee, interspersed between flight gates used by thousands of souls each day queuing up to be projected into the sky inside pressurized metal tubes. There is a swarm of humanity; humans in different shapes, sizes, and colors; babies, often crying; old people, lurching their way through; all attempting to escape the place they are at, to get somewhere else, quickly, right now. The precise point in history when fortunes such as ubiquitous food, and wonders such as flying, gave way to an all-pervasive ennui in human minds is unknown. On the other hand, it’s downstream effect – of unfettered consumption – is well known.

Nearing the exit of LAS, the welcome signs adorned on walls are all too familiar gateways into the Sin City. Most narratives of the city’s history would describe Vegas as a twentieth century invention – of progressive government policies that transformed a land in the Mojave Desert into the entertainment capital of the world. It’s convenient: history is often too complex to fit into a text message, and usually unpleasant to indulge-in over fine dining. The Paiutes (the natives) who lived here for thousands of years since before the ‘common era’ began, and the story of their displacement by Europeans (the settlers, usually Mormon missionaries) and Americans (who fought with Mexicans to annex the entire region) is somber, complicated, and bears all hues of grey depending on the narrator. The history of these Native Americans isn’t obliterated either, it’s merely commoditized with casinos and hotels decorated with stereotypical imagery, where the tribal traditions are lost, and what remains is the vulgar cultural appropriation that could be exchanged for cash.

On Vegas’ streets, bright LED signboards, each the size of a church’s graveyard, display towering humans in front of garish graphics screaming for attention, goading other humans to consume something – a loud concert, some greasy food, a comic show, a place to gamble, clothes, or shoes, or women – anything with a promise of instant gratification, anything that can stoke concupiscence. The city's adult entertainment industry is a multi-billion-dollar business, built on the exploitation of women's bodies. Debauchery needs celebration, because when everything is available aplenty to the human race, there is little left that can satiate its forever quench for more. 

Las Vegas is affluence in-your-face, a desert where one walks more on carpets than on sand, expensive cars and limousines line up in garages, energy burns at twice the average rate for America with thousands of slot machines whirring inside every building, a giant water fountain uses millions of litres of desert water outside one, a mega beacon of light catapults a beam up into the night sky from the top of one, and other absurdities that are as imaginative as they are an assault on senses. And like any other affluent parcel on the planet, the city successfully hides the have-nots amidst its sheen – the homeless parked on every pedestrian bridge, the trash collectors, the men and women in asinine costumes coercing you for pictures, the casino workers with their unforgiving jobs, the pole dancers, and the drummers of empty plastic buckets attempting to be heard over the din of overlapping amplified music from every corner. The extravagant resorts and towering hotels on the Strip manufacture a world of illusions, where reality could be distorted and stowed away amidst glitz and glamour, and a lewd fantasy could be created by exploiting people and nature.

The frenzied swarm of humanity continuously flows through the city like murky sewage in its drainage system of walkways, bridges, elevators, and escalators. People balancing ‘yard drinks’ in their hands drift aimlessly through buildings of glass and concrete that eclipse the sky, and gape at crass recreations of Rome and Venice replete with plastic plants and artificial skies inside those buildings. Here, the present presents a sneak peek into an eerily dystopian future when the most predatory species on earth will perhaps get permanently relegated underground after the remaining flesh on the planet’s cadaver has also been scorched.

Las Vegas is synonymous with casinos. And it’s those opulent gigantic spaces with their stationary air mixed with smoke and sweat and nonstop fluttering screens and beeping machines that truly represent a generation lost – where the innate beauty of the most intelligent life on this planet got substituted with sparkling machines of chance, where the profundity of human experience got bartered away for mindless ‘recreation’, and where the most intimate and authentic human feelings perished forever in a seductive trap of life behind screens and alcohol. And all this while, dreary crowds continued to queue up at 5100, Las Vegas Boulevard South to get their pictures taken under a signboard. It said: Welcome to Fabulous Las Vegas.

Thirty-Seven

As a number, 37 is rather coarse and inelegant. Perhaps the only reputation a number like 37 may hold is that of being a prime number. The term ‘prime’ in there isn’t even coquettish — in the ‘in-one’s-prime’ sort of way — which could have made 37 at least mildly interesting. ‘Prime’ numbers are named so merely because all natural numbers are primarily their multiples — Mathematics, as most of us would appreciate, is not exactly a science with much literary flair or style (maybe because it was largely a dominion of men). When applied to the chronological age of a human, birthday number 37 remains, at best, a stodgy nondescript footnote in the bell-curve of life, a “use by” date on product packaging written in small font that usually gets ignored. It’s an odd number, like getting a Johnny Depp year while counting down life, when one would have preferred more of a George Clooney elegance. Scruffy, burly, inflexible, difficult-to-pronounce, and yet thoroughly quotidian, it’s the number where one has already dealt with all the midlife crisis life could possibly throw, stretched, yawned, and comfortably settled, possibly looking for chocolate and cheese after one’s next meal. There are no inspirational stories either that could possibly begin with “by the age of 37…”; any noteworthy mention of someone at this age would perhaps include a crime and subsequent arrest, or a premature death. If the cancel culture was more inclusive, I reckon it would have advocated for 37 being cancelled.

Two years ago, on my birthday number 35 as an exercise in vanity, I jotted down my learnings, considering the moment as a poignant half-life marker of my existence. My thoughts then fell short of prescribing what my tombstone should read or whether I would prefer a cremation, but they did have the distinguished benefit of digital permanence that would allow obituary writers a place to copy-paste stuff from, should I get the privilege of an obituary by the time I am done on the planet. In the intervening two years since expressing my ‘learnings’, I shared a pandemic-infested world screeched to a halt (the irony of just one mammal temporarily incapacitated by a pathogen declaring the world as ‘stopped’ didn’t escape me — as if the world were synonymous with humans), went through a separation, emigrated from India, and shifted jobs from one where I was doing things to one where I had to tell others how to do things. The two years seem to have passed in a blip, much like the ‘Skip Intro’ button on Netflix, but they managed to substantially change my personal station in life.

A recent feedback at work encouraged me to be a direct communicator. In response, I think I would have really liked if the civilized world was more open to calling-out assholes, and I would have contributed wholeheartedly to any social media hashtag doing so. I would have been much less involved with movements encouraging expressions of gratitude in oral or written communications, since I already feel fatigued by the proliferation of insincere thank-yous at work. Digressions aside, in the spirit of more direct communication, perhaps there are two thoughts worth jotting down at my thirty-seventh milestone footnote for future reference.

One, it’s important to accept that the world is a messy enterprise. Cultures are good and bad at the same time, civilizations are sophisticated and perplexing, governance models have finesse and imperfections, states concurrently espouse both freedom and slavery, religions are both orthodox and emancipating, and the same person could be fantastic and a jerk at once. To enjoy this enterprise, I would probably do better by taking off the edges, being vulnerable, reducing the urge to classify people and things into admirable or worthless, and being capable of holding and critically evaluating opposing ideas and thoughts. Corollary: one can’t be the best version of oneself for everyone else in the world.

Two, life’s possibilities and optimism can be enjoyed in moderation. There are indeed things that are unlikely to happen in the rest of my life: playing guitar by the bonfire in a freshman party, winning a sports championship, restarting career from scratch, learning parkour, filing a patent in machine learning, or owning a yacht. But it’s also a phase where realization has set in about a precious few things that truly matter, and could be worth striving for — those aspirations and dreams that are sufficiently ambitious, but have nonetheless been tempered into pragmatism by an evolving mix of wisdom, skills, and an appreciation of real vs. perceived worth. And to accomplish and savor those would perhaps constitute the fullest life.

Time's sublimest target

Is a soul "forgot!"

— Emily Dickinson

Dichotomies

07:00

The boats have returned to the shores of the Arabian Sea and are pulled up far back on the beach, far enough to keep them dry even when the tide gets high. The teamwork on display is nearly perfect: five men and two women sorting through the nets, wringing out half-dead marine life stuck in them with nudges, jolts, and, when needed, knives. This harvest of fish, mollusks, and crustaceans falls on the blue tarpaulin spread below, bluer than the sky and ocean combined. For a hunt that started at four in the morning, the overbearing empty blue spaces on the tarpaulin imply that this catch isn’t a bounty, but as with most matters of life, it may be considered a reasonable, though unnecessary concession ceded to the impoverished. The harvest has been dwindling over the years ever since trawlers were invented to monopolize the seas, outsmarting the humble outboard marine engines of these tiny fishing boats by a gap – understandably – as wide as that between the rich and the poor of the world. A woman is sorting the catch in buckets, classifying the creatures in a vocabulary well understood by humans, while ignoring their zoological taxonomy; the latter doesn’t fetch money. The sun is shyly rising somewhere on the other side of the mountains, and the teeming buckets slowly make their way to local markets, carried on the heads of the womenfolk. The nets and the tarpaulin are hurriedly stowed back in the boats, their sorting postponed to the latter half of the day: the more pressing endeavor of using the sunshine to earn a living reasonably takes precedence.

A man in bright red running gear has descended from the steps of the resort’s beach-access gate. It’s a fine morning, and while the western coasts aren’t the perfect settings for a sunrise, they are admirable for a fine detox. The town’s quaint villages, away from the hustle-bustle of the loud beaches are a must-visit, he was told last evening, and a stroll in one of the local markets is very much on today’s agenda.

17:00

The sun, almost double its usual size and bright orange in color, is floating above the calm ocean. Silhouettes of those manmade vessels that rule the ocean during the day are visible with their twinkling lights just at the horizon: perhaps a perfect composition for an earnest photographer who might want to capture this in a frame and title it with a phrase that might have something to do with earth, water, fire, air, and space. And undoubtedly, with an accompanying hashtag about the elements. A man bathing alone in the waters is heard calling out to his friends, apparently a group that might have descended in this town to breathe-in some nature: “Tum log nakli zindagi jeete ho yaar!” (All of you lead false lives). It might be an overdose of enthusiasm, or of alcohol, presumably both – a combination which has generally been known to bring poignancy and philosophical musings to individual minds – that has elicited this war cry from the bathing man. The evening looks promising, though, with flickering lights of beachside restaurants that will showcase the day’s fresh catch, and serve the patrons in a cooking style selected by them, accompanied with a choice of cocktails fixed to perfection.

Near the fishing boats that were moored at the beach earlier in the morning, a woman and a girl begin their evening enterprise: untangling of the fishing nets that were hurriedly stowed in the morning after clearance of the harvest. The process is elaborate and requires patience. The nets are long with a tendency to get enmeshed, and only a pair of deft hands hardened by years of seafaring life can skillfully make them ready for the next day's hunt in the cold, early morning waters. The job will take at least a few hours, and by the time it is accomplished, it will be dark; dark enough to successfully hide the nondescript lives of these two women amidst the brightness and noise of the restaurants and clubs.

21:00

The sands are lit up with neon lights in all shapes and patterns as far as the eyes can see. Tables are set on the sand almost until the edge of the water for hosting guests who would dine and drink in this electric atmosphere. Music oozes out loudly from individual shacks, superimposing on each other and competing to create a frenzy that hooks every soul who is looking for a good time. The air has whiffs of pan-seared prawns, grilled fish, and fried crabs, and every other species that made its way to the plate. At places, it is thick with the smoke of the sheesha. Alcohol is visible in the glasses set on each table, as well as in the breaths of men and women gyrating on dance floors set on the sand.

A woman is walking around on the sand carrying numerous woven handbags, jewelry crafted from stones and shells, and other knick-knacks, stopping by at each table with the hope of striking a deal with anyone who might get swayed under influence and actually make a purchase. It’s a sigh of relief when the girl stops her at a table; just the initial conversation offers the woman an excuse to place her load on the empty chair, at least momentarily. A sale is made, but she tries to prolong the conversation that might allow a few more moments of relief before she will need to get on with her wandering in the sands. A story is narrated about when she got to the beach (perhaps around seven), when she will return home (somewhere around eleven, considering the commute that will require a hitch-hike), and the displeasing thought of her kids waiting on her instead of just eating their dinner on time which she cooked before leaving home. The girl on the table asks her a question: “If there was one thing you could change about your life, what would that be?” The woman considers it, and replies: “I wish the smell of fish could leave my hands. It just never goes away!”

Dusting the past

“Did you know that cleanliness is next to godliness?” it asked him, hoping to strike a conversation. It knew that the task ahead was arduous and lonely, and the human mind often needs indulgences to accomplish such things. 

He was perhaps absorbed in his own thoughts and didn’t need small talk to get through this. He replied half-heartedly: “Not really. Who told you that?”

It tried again, this time with apparent erudition: “I just hear it a lot. If you think about it, the company you keep matters. It’s the same way with your habitation, the objects you surround yourself with, and how you treat them. A cluttered environment is a sign of a befuddled mind, while an unkempt environment is a sign of a vacuous mind. Surround yourself with beauty and aesthetics that speak to you, and you have the power to anchor yourself to the rhythm of the universe. That’s as close to the idea of God as one can get to.”

He wasn’t used to deference in the face of such commentary which he considered as opinions garbed as wisdom. He retorted with a completely off-the-track remark: “Quite wise. And where do you fit in that description? The last I called you from amidst the objects I surround myself with, you were hanging behind the washing machine in the rear balcony.”

It knew that a nerve was somewhere touched, and replied patiently: “Well, the last time you dusted the bottom shelf of your bookshelf, you read the forgotten tiny note she wrote for you on the inside cover of that red book and cried a little. Those are the moments when the universe speaks to you, and you get stronger.”

He was exasperated: “I wish I had a Roomba instead of these damn dusters that can’t keep their trap shut.”

The tempo

“Hey, you got a minute?” she called out to him. Her voice seemed raspy from days of non-stop counting, as if they were spent measuring each second and each minute for which the earth had been breathing.

He looked around with mild curiosity: “That’s ironic, coming from you.”

“Well, sometimes I can be like that. So anyway, when was the last time you thought I added value to your life?” she settled straight on her question. She gave the appearance of someone who wasn’t used to small talk and pleasantries, and might even look upon such indulgences as being extravagant with one’s time.

He wasn’t sure of what to say, and stuttered in his diffidence: “I don’t know. I think you are pretty. Everyone thinks so as well.”

She refused to help him out with his apparent discomfort and continued with her drill: “You know that my existence isn’t defined by how pretty I look, right? I am expected to serve a larger purpose.”

“Yeah, I know. But hey, the world is different. Our lives look nothing like how they used to, just fifteen years ago. Things change!” He tried being cheerful, evidently in vain.

At this point, her eyebrows went up and it seemed for a second that she might be impatient. But if there was one thing she epitomized, it was patience: “You realize that you are talking to me about time, don’t you? Don’t tell me that the world has changed and is constantly changing. You are scared to acknowledge that you only have a finite time to live on this planet. You are frightened when thinking about how many years it has already been since you took your first breath and what is it that you accomplished during all that time. You live a dichotomous life of constant trepidation about the future, and a baffling temerity about the present. Think about my purpose in your life, instead of whiling your days away.”

He gave up: “You know what, it’s a bit warm today and the air-conditioner’s remote isn’t working. I will just take out your battery and put it in the remote. These days, I need nine hours of good sleep. Of course you know that.” With that, he took the wall-clock off the nail it was hanging on, and pulled the battery out. Her tick-tock of a heartbeat died instantly.

Five senses

“Do you have feelings?” she asked.

He was a bit perplexed with this seemingly innocuous question: “What do you mean? Everybody has feelings.”

“I mean, do you ever pause, reflect inwards, and try to recognize how you are feeling?” she explained her question and converted it into a leading one, perhaps sensing that she already had her answer.

“I still don’t get it,” he stood awkwardly, bewildered.

She began her erudite response: “You see, this is what social conditioning does to you. Your culture never prepared you to answer the simple question: how am I feeling today? In all these years, you could never develop the faculties that can parse the happy moments from the deluge of mindless ones, until someone else validates them for you. You cannot tell you are feeling like shit, until your body revolts and makes you restless. You never learnt paying attention to yourself and communicating with your soul.”

He fumbled for a befitting response, but the best he could come up with was a counter-question: “Do you feel?”

“You might not have paid attention. But I know when I am too cold, or too hot. My heart feels deep blue in peace, amber in distress, and the color of the forest in joy. I know when I am the elixir, and I know when I am the toxin. I bubble, I swirl, I rise, and I fall; I breathe life, and I am life. I am the wave of the poet’s finest imagination as well as of the sailor’s worst nightmare. I am the…”

“Thanks for giving me a headache,” he interrupted her flow by turning off the faucet of the water purifier. “I will now pour you in a tray, keep it in the deep freezer, and use you this evening to fix my drink. That's what I feel like.”

What a wonderful world

He looked out to the street swelling with pride. Spring was in the air, rains from the day before could still be felt on the skin, and the birds were singing with joy. The streets themselves were covered with foliage: tuscany and crimson and jade and every other color from the palette. The entire creation seemed to celebrate with boundless joy.

“You know what they say? That when you want something, all the universe conspires in helping you to achieve it,” he satisfactorily made the solemn observation to his neighbor.

“Never heard of that! What does it even mean?” The dinky neighbor half-heartedly responded to the seemingly useless philosophical musing of her counterpart while regurgitating on what appeared to look less like food and more like compost.

“Did you ever imagine this day? Blue skies, clean air, no noise, other than those of the universe itself. When the wind blows, it’s like you can hear the earth turning! I dreamt of this for such a long time!” He seemed to be lost in a form of exhilaration unbeknownst to the entire human species.

“Yeah, whatever. I think this is just a pretty background for the desktop wallpaper.” His neighbor curtly expressed herself, hoping to end this conversation and regurgitate at peace.

“You have no soul, just thorns,” he pronounced in a deep voice, almost sighing at this conclusion.

His neighbor stopped chewing. After a brief pause, as if waiting to choose the right words, she delivered the final blow: “And you are just a bougainvillea. At least us, the roses, will be found in the centerfold of books five years from now and be loved even in our afterlives.”

Mindfulness

While the whole world was silent, there was a whirring noise coming from a nondescript corner of the reticent house. All one could see of the house from outside was the scabrous plaster coming off at places, with the faint yellow paint sticking out like dried leaves holding on to the stems for a few brief moments before getting lost into the oblivion. The noise seemed to disturb the tranquility of the street dogs, already attuned to the silence of the times.

“You know that we are critical in ensuring that the world continues to function with sanity, right?” the voice called out to him.

His mind was absorbed in a maelstrom of thoughts ranging from the stock of vegetables in the refrigerator, the piling dishes, the temperature of the last shower, and the background needed for the upcoming video call. He decided to ignore the voice, after judging it to be someone’s self-righteous proclamation he didn’t want to indulge in.

But the voice persisted: “The first problem with your generation is that you do not appreciate the magical world you live in. Anyone who walked this same planet just half a century ago will be thoroughly nonplussed at your privilege. Just look at us for that matter, we clean all your dirt without as much as a whimper, and you fail to acknowledge even our existence.”

He was far from being flummoxed despite the obvious provocation.

The voice intensified its accusations: “The second problem with your generation is that you are never in the present. Look at us fastidious old timers. We focus on the task at hand and enjoy it all the same, instead of thinking about what’s happening elsewhere or about the past or the future all the time.”

He calmly listened to all this, waited for the customary three beeps, and added with a perfunctory smile: “You can’t even clean lipstick marks from the shirt. You need to be more in the present.” 

He then turned the washing machine off, and the voice went dead.

Wisdom

“You need to take a shower,” she said matter-of-factly.

“I had my shower in the morning, and you don’t need to remind me about tomorrow already. Just sit still for at least the next hour and stop complaining. I am not going to bother you for an entire hour and will go watch my movie instead.” His unwanted belligerence hinted at his annoyance over other matters, perhaps spilling over to her.

She kept her cool and continued nonchalantly: “Anger is a wind which blows out the lamp of the mind. It’s an enemy of correct understanding.”

“All behold the wise one!” he shouted with a derisive laughter, looking up at the invisible sky; “you clearly learnt a lot through second-hand means!”

She mused in her characteristic sonorous tone: “Learning is a journey: from facts to knowledge, on to understanding and eventually wisdom. You might have read books and learnt facts, but that’s not the entire journey. And at the same time, vidyā dadāti vinayam, vinayād yāti pātratām – Knowledge makes one humble, and humility begets worthiness. Try being worthy of me.”

“Sometimes I wish I had an electric chair instead.” He kicked the rocking chair which he used for reading, and walked angrily to his room. The chair rocked for a few minutes and slowly went back to her deep thought and stillness.